Roman Road

Alix Marie (b. 1989, Bobigny) works across photography, sculpture, and installation. She graduated with first-class honours in Fine Art from Central Saint Martins, London, in 2011, before completing an MA in Photography at the Royal College of Art. In 2017, she won the Portfolio Review Award, was selected for the 11th edition of Foam Talent, and published her first artist book, Bleu, with Morel Books. Bleu has since entered the collections of Tate Modern, the Getty Museum, and SFMoMA. In 2019, Marie was nominated for the EMOP Arendt Award and received the Royal Photographic Society’s Vic Odden Award.

Her recent group exhibitions include ‘Complexe Sportif (en)jeu de courbes et courbatures’, curated by Karolina Kazmierska, Domaine de Chamarande, Olympiades Culturelles (2024); Spiritual Urgency, Stedelijk Museum, Schiedam (2023); RAW, Rembrandt House Museum, Amsterdam (2022); and Nude, Fotografiska, New York (2022).

Her solo exhibitions include Styx—co-commissioned by Photoworks UK & Ballarat International Foto Biennale—at Deichtorhallen, Hamburg (2022) and the National Centre for Photography, Ballarat (2021); Sucer La Nuit, MBAL, Switzerland (2019–2020); Shredded, Roman Road, London (2019); and ADYTA, Ratinger Tor, Düsseldorf (2018), as part of Düsseldorf Photo Weekend.

Her work is held in the Marval Collection, Foam, Amsterdam, and the Victoria & Albert Museum, London. Alix Marie was named one of the “50 pioneers defining 21st-century photography” in Photography Now by Charlotte Jansen, published by Tate Modern and Octopus Publishing.